Don't eat bushmeat.

TWO EARS AT A TIME

Thomas Stanley (a/k/a Bushmeat Sound) is an artist, author, and activist deeply committed to audio culture in the service of personal growth and social change. He is co-author of George Clinton and P-Funk : An Oral History (1998, Avon paperback) and has written and lectured extensively on emergent musical cultures. As an artist, performer, and curator, Stanley has been an integral part of a vibrant visionary music scene straddling the Baltimore-Washington corridor. His audio work exploits the capacity of sound and music to anchor, frame, and energize our subjective experience of history. Thomas Stanley is a founding member of Transparent Productions, a non-profit volunteer collective that has produced over 300 improvised jazz and experimental music concerts since 1997. He hosts "Bushmeat's Jam Session" a weekly collage of radical music on WPFW-FM radio. In 2014 he authored the Execution of Sun Ra, a critical response to the cosmological prognostications of the late jazz iconoclast. His doctoral work examined Butch Morris' art of Conduction as an extended meta-instrument offering unique opportunities for musical pedagogy and ensemble consciousness. He is also featured in “Stranger”, a documentary film about seminal P-Funk and Talking Heads keyboardist Bernie Worrell.

THE WORK

Stanley’s Black Art is a loudly joyful noise, illuminated by Black light, the thundering gasp of serendipity in the caverns of bohemia as audio intentionality releasing frothy bubbles of anti-sovereignty, expanding microtemporalities erected as positive ghettoes of solar real estate, Blackadelic afterFutures outside of americanExceptionalism, yielding at least one tripped-out-impossibility of a timeline where no one ever dreamed america and the maroons never came down out of the hills and the Jankanu is still being danced on bloody feet that have never been enslaved and no tin-star soldier ever nullified Strange Fruit.

In 2003, Stanley was drafted by broadcast legend Bobby Hill to help design and launch an undergraduate course at George Mason University exploring Hip Hop as a complete cultural system. This highly popular course quickly turned into an assistant professorship which Stanley (in)famously used as a platform for radicalizing young minds until 2017 when his position was converted to adjunct status. Stanley/Bushmeat is an Independent Public Intellectual/Sound Artist working in the wilds of early 21st century North America because Black Art, Black Light, Black Love, and Black Lives Matter.

THE EXECUTION of SUN RA

Thomas Stanley has given himself the daunting task of taking Ra seriously as a critical thinker while not violating Ra's refusal to exclude paradox, play, outright contradiction, jokes puns, bon mots and loopy homemade aphorisms from the kaleidoscopic critical mix. If Stanley doesn't succeed in rationalizing Ra's arcana for academia, he's certainly made the gamest attempt yet at rhizomaticising the many-splendored knotty tangle of Mr. Mystery's soaring and sonorous metaphysics.
~~ Greg Tate, writer

Thank you for your book Thomas. It is amazing!!! I completed it on a bus in Germany. I went into it expecting it to be about Sun Ra in a more or less typical biographical format but soon discovered that it's SO much more than that. I learned an incredible amount, thought a lot, and FELT a lot when I read it. Tears on the last chapter. The feeling lingers. Above all (at least to me) what shines through is the tremendous love that went into it. Thank you for bringing it into the world!
~~ Mark Cooley, professor


LECTURES and WORKSHOPS

Stanley's work erupts at the churning intersections of sound art, noise-music, and afrofuturism, all informed by his travels through the inner and outer cosmos. Sessions with Stanley can become pointed interventions, rife with broad musical references, blackadelic dimensional shifts, and a genuine love for human beings and their evolving condition away from war and slavery -- towards some kind of collective renewal and justice.

BUSHMEAT/BUSHMEAT JAMS

Bushmeat is a term borrowed from parts of Africa where humans supplement domestic foodstuffs bought at market with wild game. While the killing of primates and other endangered species for food is highly discouraged, the name conveys the sense that Stanley is sustained by sources beyond the reach of consensus. Dr. Stanley uses Bushmeat (registered since 2018 w/USPTO) as the banner for his solo electronics. His radio show on WPFW is called Bushmeat Jams.

MIND OVER MATTER MUSIC OVER MIND (MOM²)

MIND OVER MATTER MUSIC OVER MIND or MOM² have been liberating zones of sonic sedition since 2004. Dr. Stanley is joined by bassist and multi-instrumentalist Luke Stewart for a performance product that takes no prisoners and leaves no mansion ungnawed. americanExceptionalism is nothing less than the gentrification of white supremacy. If you're not a low-life racist tea-bagger, you will have nothing to do with this retrograde, planet-wasting ideology.

UPCOMING EVENTS

  • The Calendar has been left fallow for the Summer.
    To book Dr. Stanley, Bushmeat, or MOM² use the contact links below.


Alter Destiny as String Theory
Civilization is doomed. The worst thing you could do right now is to try and throw your body in the path of this inevitability. Everything is going back into solution. We have a situation where social reality has been frozen into a relatively static configuration. Imagine a fiber, a thread, a string stretched through a supersaturated solution of salt or sugar. The string is heavy with a coat of crystals. Their form is thick, planar, and yet also, asymmetrical and organic. The crystals are so thick that they have begun to scrape and push against the sides of the container in which the solution and crystal-covered string are housed. The crystals and their spiky mass push against the limits of their containment, triggering a train reaction (a feedback loop) that results in the solution heating up. This heating causes the molecules of sweet (or salt) go back into solution, or, as Chinua Achebe wrote in 1958, Things Fall Apart.


The only thing that is essentially us in this system is the string. This is our soulfully energetic body, stripped down to its depersonalized, decultured essence. It is the only thing we have control over that will have anything to do with the shape of the crystals that will be deposited as the system is allowed to recool and the string begins to be covered, once again, with the planar, multifaceted, fractal products (material and symbolic) of the collective work of all the string nations – Culture. As we work to clarify our soulful bodies and resolve them (each, one at a time) into the texture (smooth or coarse) that will determine the fundamental shape(s) of whatever follows this, we can also affect (but cannot stop) the rate of dissolution of the bulky crystalline mass that now congests the length of our strings (and the beautiful home planet where the string people live). The only thing that we can do that is in the best interest of the string – our fundamental truth – is to accelerate the rate at which the old crystals are dissolved.

WRITING

VIDEO

AUDIO



CONTACT NOW